The ancient Pyramids of Giza have long stood as sentinels of history, witnessing the unfolding of time from the era of Pharaohs to the modern day. Today, they stand not only as historical monuments but also as canvases for contemporary expression, showcased in the grand outdoor art exhibition “Forever Is Now III.” With an assembly of 14 international artists, this event, ongoing until November 18, features a fusion of ancient culture with modern artistry. This is the third and largest edition, curated by Nadine Abdel Ghaffar of Art D’Égypte, who proudly states, “Every year, we have an amazing group of artists that are in dialogue with this civilization.” In a conscientious blend of past and future, the artworks stand on a protective layer of sand, leaving the 4,500-year-old site unscathed, honouring heritage and artistic innovation.
The artworks span various interpretations and connections to the pyramids—from mythology to sustainability. Pilar Zeta, channelling the mystic spirit of Giza through her installation “Mirror Gate,” views the pyramids as “the most sacred sculptures on planet Earth.” She uses limestone and metal to bridge the ancient with the post-industrial. Sabine Marcelis’ “RA” pays tribute to the origins of glass and the sundial with a sculpture that transforms from a shadow caster by day to a luminous beacon by night. Integrating sustainable technology through solar cells is an embodiment of forward-thinking art.
Conversely, “Horizon” by Costas Varotsos plays with perception, crafting an illusion of the pyramids afloat on the Nile’s mirror-like surface. Rashed Al-Shashai’s “Translucent Pyramid” reinterprets traditional wicker craftsmanship into a 6-meter-tall pyramid, advocating for a blend of sustainable practices and cultural heritage. Sam Shendi’s “The Ghost Temple” and Azza Al Qubaisi’s “Treasures” engage visitors in an interactive journey through forms inspired by the desert and ancient architecture.
Rashid Al Khalifa’s “Reality is Timeless” explores the concept of time and memory through copper and brass structures. At the same time, “Inside Out Giza” by JR extends an ongoing project, intertwining the past with the present through large-scale portraits laid out on the plateau. These installations not only complement the grandeur of the pyramids but also foster a dialogue between the ancient world and contemporary creativity.
“Forever Is Now III” is not just an art exhibition; it’s a testament to the enduring inspiration of Egypt’s ancient wonders. The event encapsulates Ghaffar’s sentiment that the pyramids are “a token of hope to humanity,” echoing resilience and mystery. This artistic endeavour is a beacon of shared hope, reminding us that the pyramids, which have weathered centuries, still stand majestic, inviting us to unravel their secrets while inspiring new narratives of beauty and innovation.
