The creators of “Woman Of,” a film about a man’s transition to a woman within the conservative cultural context of Poland, aim to alter perceptions in the predominantly Catholic country. The film, co-directed by Malgorzata Szumowska and Michal Englert, recently debuted at the Venice Film Festival, just weeks before elections that could see the nationalist Law and Justice (PiS) party secure an unprecedented third consecutive term in office.
The party has been criticized for contributing to anti-LGBTQ sentiments, but Szumowska believes “Woman Of” could shift the conversation about transgender issues. “The film is not confrontational; it adopts a sensitive approach. We aim to foster unity and build bridges,” Szumowska informed Reuters TV.
“Woman Of” traces the significant life events of its main character, from childhood and marriage to becoming a parent and eventually transitioning. The film employs Poland’s post-communist metamorphosis as a setting and metaphor for its central narrative.
Despite sweeping changes in Poland over the past 30 years, LGBTQ rights remain a contentious topic. The PiS party has leveraged opposition to LGBTQ issues to consolidate its base. Party leader Jaroslaw Kaczynski disparaged transgender individuals during campaign events last year, eliciting audience laughter. “Politicians present this as if it’s a menace, using it to instill fear,” said Szumowska.
In Poland, same-sex civil unions are still illegal, and those wishing to transition legally must first go through a complex legal process that can involve suing their own parents—thus allowing reluctant parents to create legal hurdles.
Due to the scarcity of transgender actors in Poland, the film’s older protagonist Aniela is portrayed by cisgender actress Malgorzata Hajewska-Krzysztofik. “We consulted with a group of transgender advisors, and they agreed that, given the circumstances, it was necessary to cast a seasoned actress for the role,” explained Szumowska.
“Woman Of” is among 23 contenders for the prestigious Golden Lion award at the Venice Film Festival, the winner of which will soon be announced
“Woman Of” is more than just a film; it’s a statement of empathy and understanding in a nation where transgender issues often stir controversy and division. As it vies for the Golden Lion at Venice, its creators hope it will serve as a cultural milestone that could lead Poland, and perhaps other traditionally conservative societies, toward greater acceptance and inclusion. Whether the film can achieve this ambitious goal remains to be seen, but its presence on a global stage signifies a step in the right direction.
