In a groundbreaking move blending technology and nostalgia, Hollywood stars’ estates have authorized the use of their voices with artificial intelligence. Among them, actress Judy Garland, famously known for her role in “The Wizard of Oz,” will soon have her voice digitally recreated to narrate the beloved children’s novel, “The Wonderful Wizard of Oz,” through ElevenLabs’ Reader app.
ElevenLabs, a leading AI company, has launched a pioneering initiative to bring digitally produced voice-overs of deceased actors to life. Alongside Garland, voices of icons such as James Dean and Burt Reynolds will also feature on the platform. The company’s Reader app converts various text formats, including articles, PDFs, and e-books, into audio, aiming to enhance accessibility across languages and voices.
The project marks a respectful nod to the legacies of these Hollywood legends, with ElevenLabs securing agreements with their estates. While specifics about compensation remain undisclosed, this collaboration underscores AI’s potential in content accessibility while posing ethical questions in creative industries like journalism and film.
The use of AI to recreate voices raises significant copyright and authenticity concerns. Recently, OpenAI faced backlash after introducing a synthetic voice resembling Scarlett Johansson’s character from the film “Her,” despite Johansson’s disapproval of the use of her likeness. Legal experts point out that while individuals cannot copyright their voices, recordings can be copyrighted, presenting complexities in AI-driven media applications.
David Gunkel, a professor at Northern Illinois University specializing in AI in media, explains that AI models are trained on existing recordings, which are subject to copyright laws. He notes that agreements with estates involve substantial financial considerations, akin to licensing deals for popular music in advertisements.
Bern Elliot, an analyst at Gartner, highlights AI’s evolving capability to replicate speech patterns and tones with minimal audio data. This advancement, while enhancing technological possibilities, prompts considerations on voice monetization and ownership rights.
In parallel, media organizations are increasingly adopting AI for voiceover applications. NBC, for instance, has announced the use of an AI-generated version of sportscaster Al Michaels for its Peacock streaming platform’s Olympic coverage, with Michaels receiving compensation for his involvement.
The reception of AI-generated voices among mass audiences remains uncertain, as debates over authenticity and market reception persist. Gunkel suggests that audiobooks narrated by recognizable voices are in high demand, indicating potential market interest in AI-enhanced content narrations.
As AI technology continues to evolve, its impact on creative industries and ethical boundaries will remain under scrutiny. The ability to replicate voices raises broader questions about the intersection of technology, ethics, and intellectual property. While advancements promise greater accessibility and innovation, they also challenge traditional notions of voice ownership and authenticity in media.
The ongoing developments underscore a pivotal moment in AI’s role in media production, urging stakeholders to navigate legal, ethical, and cultural considerations. As the industry moves forward, the balance between innovation and responsibility in utilizing AI-driven capabilities will shape the future landscape of digital content creation and consumption.
ElevenLabs’ initiative represents a significant stride in leveraging AI to honor and perpetuate the voices of Hollywood icons, yet it prompts critical reflections on the implications for copyright, authenticity, and ethical standards in the digital age.
